Thursday, October 30, 2014

Hey, 1998 called and wants its girlfriend back

Landline Rainbow Rowell
Landline is the second book by Rainbow Rowell I have read.  Similar to The Shadow Hero, it really helped get me out of my reading rut, though Landline helped me more on the audiobook front.

I read this book very quickly.  As soon as I finished it, I gave it a 5-star rating on GoodReads.  When I went to add it to LibraryThing, I went down a star to 4.  And now, as I prepare to review it, I am not entirely sure how I feel about it.  All of Rowell's best traits are present here - her wit, her humor, her realistic characters who are so lovable and flawed, and her wonderful way of bringing relationships to life in vivid, realistic ways.  And yet...

Landline is about Georgie McCool (yes, that's actually her name).  Georgie is a writer on a comedy TV show - I imagine her as a less fashionable and social media savvy Mindy Kaling - and she's just gotten her big break.  She and her best friend have been given the opportunity to write a pilot for their own show.  HUGE!  The only thing is, they have to work over Christmas to get the scripts ready, and Georgie is supposed to go to Omaha with her husband and daughters.  She and her husband, Neil, have been going through a rocky patch recently (or for the entirety of their relationship, more or less), and Georgie knows this will be a tough conversation.  It is, and Neil ends up taking their kids to Omaha while Georgie stays behind t work.  And then, when Georgie tries to call, she can never get through to Neil.  Or, at least, not to Neil now.  She is able to use her mom's landline to reach Neil 15 years ago, just before he proposed marriage to her.

There were a lot of things that I liked about this book, but many of those same aspects could be flipped and bother me, too.  Maybe this is why I don't know how to rate it.  For example:

  • The premise of mother as provider and father as nurturer is taken for granted and not even discussed, which I appreciate in that it normalizes the situation.  I love that Georgie works and doesn't really spend a lot of time talking about how bad she feels that she doesn't drive her kids home from school; in fact, she barely talks about her daughters - this book is about her marriage, not about her entire family.  
  • However, this situation really is not quite natural for most people, and there's a lot of guilt on the mom's side, at least, and while that came out a bit subconsciously with all Georgie's comments about how great a father Neil is and how much his daughters love him (would these gushing comments ever be used to describe a stay-at-home mom, I wonder?), I can't help but think that a lot of the tension in Georgie's marriage came from the fact that she worked long hours and her husband stayed at home, and as that was never dealt with, I felt like the story could have been a lot more.

Monday, October 27, 2014

Subversive Superhero

The Shadow Hero
The Shadow Hero, by Gene Luen Yang & Sonny Liew, is so much fun to read.  The backstory is fantastic, the Asian-American hero is wonderful, the family dynamics are great, and it seems like Yang and Liew had a blast working on it together.

The book description from School Library Journal is pretty spot on, so here it is:

Award-winning author Yang and artist Liew tackle a lesser-known aspect of history, breathing new life into the Green Turtle, a 1940s comic book hero. According to lore, the Green Turtle was originally drawn to be Chinese, but publishers quashed artist Chu Hing's plans, and Hing rebelled by drawing his hero so that his face was never visible. 

The Green Turtle is cast as an unlikely 19-year-old young man, Hank, the son of Chinese immigrants who own a grocery store in 1940s America. When his mother is rescued by a superhero, the loving but overbearing woman decides that it's Hank's fate to become a hero himself, and she does everything in her power to push her son in that direction. Though Hank initially shies away from assuming the role of caped crusader, when tragedy strikes, he's eventually inspired to call himself the Green Turtle, and fight back against gangsters who have been intimidating his family and many others in Chinatown. 

Liew's scratchy, action-packed illustrations have a nostalgia-tinged vibe ideal for the gritty/hard-boiled setting, and Yang plays expertly with clichés and stereotypes about Chinese culture without ever becoming heavy-handed or obvious. A detail about the four spirits of China, one of whom allies himself with Hank's father and then Hank, injects an element of magic and of Chinese history and mythology that made Yang's American Born Chinese (First Second, 2001) such a layered and complex work. - Mahnaz Dar

How brilliant does that sound?  REALLY brilliant, and it delivers.

I have not been reading much lately.  I am not sure what happened, but after #Diversiverse, I just couldn't find any books that kept my interest and I kept flitting from one to another.  When this happens, I usually go back to the genres that I grew up on - epic fantasy and Georgette Heyer (fine, she's not a genre all her own, but she is for me).  Neither of those appealed to me this time, either, so I turned to graphic novels, and hooray!  Not only did it (mostly) work, but it also gave me the opportunity to read a book that everyone in blogosphere has loved.

I really enjoyed The Shadow Hero, not just because the premise is so fantastically subversive, though that's a lot of the reason.  I LOVE the idea that someone stuck it to the man right in front of the man's face.  But the book also has so many wonderfully realistic, self-deprecating, humorous moments.

I could talk, too, about how well-integrated Chinese culture is in the story.  But honestly, it was the fun plot and the great artwork that worked for me in this story.  I love books in which diverse characters shine and defy stereotypes and do awesome things.  But I love them even more when they are fun and hilarious and well-illustrated.  The Shadow Hero is all of those things, and I can't wait to read more.

Tuesday, October 14, 2014

A lovely collection of stories set in Faerie England

The Ladies of Grace Adieu
I really loved Susanna Clarke's Jonathan Strange & Mr. Norrell when I read it years ago in college.  But probably one of the first words used to describe that novel is "uber-long."  It's a very hefty tome.  So when I heard that Susanna Clarke also wrote short stories, I admit I was a little skeptical.  Can an author who imbues her stories with so much rich detail, who develops characters and plots over hundreds of pages, also excel at the short story format?

Apparently, yes.

As the weather gets colder and the days get shorter, I always find myself drawn to fantasy novels.  Something about magic and mischief and mayhem works so well for me as I am snuggled on the sofa with a big fleece blanket to cover me.

To be fair, I read The Ladies of Grace Adieu on audiobook in my car, so there were no fleece blankets.  But the magic still worked on me!

One of my favorite things about Clarke's writing is how she is so well able to bring in the witty, elegant style that many of us associate with Jane Austen.  This style is just as present in these eight short stories as it was in Jonathan Strange & Mr. Norrell.  

The stories traipse all over England and over several centuries of history, featuring a wide and varied cast from Mary, Queen of Scots to the Duke of Wellington to a poor charcoal burner to Jonathan Strange himself.  And there are faeries!  And many well-known folktales like Tamsin and fairy tales like Rumpelstilskin.

I highly recommend this book if you enjoyed Clarke's earlier novel - the style is the same and the witty language against the sometimes dark and creepy setting is absolutely delicious to read.  And if you think you would like Clarke but are intimidated by Jonathan Strange & Mr. Norrell (and all its footnotes!), then I think this is a great way to dip your toes in and see if you are ready to tackle that book.  An excellent book for the RIP challenge and as we get into the Halloween season!

Friday, October 10, 2014

How to read diversely AND authentically

A little over a week ago, Trish wrote an excellent post about the difficulties of reading diversely and how you can really tell if you are doing it right.  And what's right?  How can you tell if you are reading an "authentic" story if you are not from the same group that the book is written about?

Trish linked to an article that I found particularly interesting called "Why am I brown?  South Asian Fiction and Pandering to Western Audiences.

I found this article spot on in many of its observations, and I really hope that some of you click through to read it.  I mentioned in previous posts that it is SO FRUSTRATING that most of the diverse books that  get published and publicized are ones that tell an immigrant story.  And then the words that are used to review them are so stereotypical - colorful, a bright tapestry, spicy, etc.

I originally interspersed this post with quotes from Akhtar's article because it is a long article and I feel like people won't click through to read it, and I think that's a missed opportunity.  But then I was quoting from her so much that it started to feel uncomfortably like plagiarism, so I stopped.  Suffice it to say that I related very strongly to many of the comments Akhtar brings up in her article.

Akhtar's point is that South Asia is a diverse place with many things going on besides arranged marriages, remaining baggage from colonialism, and people emigrating to the West.  However, the majority of stories that get published are about arranged marriage, colonialism, and people emigrating West.

In the comments on Trish's blog, many people were frustrated with Akhtar's article and with an essay by Roxane Gay (that I have not read, so can't really comment on) because both Akhtar and Gay expressed frustration but did not offer any solutions.  But, honestly, what do you expect them to do?  They don't control the publishing world.  They can't decide what kind of books and stories get published and which ones don't.  All they can do is express frustration and bring attention to books that focus on different aspects of life as a POC in hopes that more people read those books and more of those books get published.  From what I read, Akhtar was not expressing frustration with readers but with publishers.  (Well, and reviewers who use stereotypical language.)

 So it appears the odds are stacked up against the person who wants to read diversely and understand other cultures, partly because publishers think the only stories that will sell are those that are based on pre-existing Western stereotypes about other places and people.  So what we're getting is a single story.  And, to quote Chimamanda Ngozi Adichie's fantastic TED talk about the danger of a single story: a people as one thing, as only one thing, over and over again, and that is what they become. ...The single story creates stereotypes,and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story. ...The consequence of the single story is this: It robs people of dignity. It makes our recognition of our equal humanity difficult. It emphasizes how we are different rather than how we are similar.
There are many Indian people who had arranged marriages, moved to the United States, and dealt with the consequences of those actions.  My parents, for example.  There are also many Indians who used to own a lot of land with peasants to work it, and who got respect due solely to their caste.  And India as a country IS still dealing with a lot of the fall-out of British colonial rule and the Partition.  Those stories are all true, and just because they've been written about many times, that doesn't make them less true.  And it does NOT make them less authentic.

India is home to over a billion people and its history (like the history of every other place on earth) stretches back thousands of years.  Jabeen Akhtar doesn't get to decide what is an authentic story and what is not.  That's just a different kind of single story, and no one wants that.  Akhtar DOES have the right, though, to ask people to scratch a little deeper and look for authors who want to share different stories.

So how do you do that?  The only solution I have found is to read as widely as possible.  Don't make assumptions based on just one data point.  To use words that show up in reviews of Indian books all the time, weave your own colorful tapestry out of many different saris!  Or cook a meal with a cupboard full of exotic spices!  Read widely and see just how many different kinds of stories can be true about the same place at the same time.

For instance, do you want to learn about India?  Then don't just read The Namesake and learn about what it's like to LEAVE India, but read books that are set in India, too.  And then read books that are set in Pakistan and Bangladesh, because until 1948, those were all one country.  And read a wide variety of authors, not just your favorite author.  That will give you the power to compare and contrast, to look at what you thought you knew and compare it against what someone else says is true.

For example, I didn't love Akash Kapur's India Becoming, but I did appreciate how Kapur shed light on the life of both a gay man and a sexually active single woman in Bangalore.  I have my own pre-conceived notions about life in Bangalore (a city I visit quite often), and Kapur gave me new perspective, which was very valuable.  He never once mentioned arranged marriages or colonialism.  And he taught me new things that made Bangalore more real to me, and shared the stories of two people who it would be hard to come across in US-published novels about South Asia because they do not fit the stereotype.

That's really all the advice I have!  But seriously, just to reiterate:
NO ONE gets to decide what is authentic and what is not.  One story being true does not negate another.  But there is always more than just one story.

Friday, October 3, 2014

Late to the party, but still loving Firefly

So, after some marathon reading for A More Diverse Universe, followed by a marathon of clicking and commenting on all of your wonderful posts, I pretty much took this week off from reading and blogging.  What did I do instead?


Yeah.  Welcome to 2002, Aarti.  I'm over a decade late to this party, but what a party it is!  I made my way through the entire first season in less than a week, and then watched the movie Serenity, too.  It was amazing!

Firefly is set a few hundred years in the future.  Humans have created new earths and spread through the universe.  There was a war, and now many of the central core planets are controlled by the Alliance, a Big Brother type of government.  The Alliance basically ignores the frontier planets, though, and that's where many people (including those on the Serenity spaceship) spend a lot of their time, flying under the radar (pun totally intended).

So what you get in Firefly is science fiction with a generous dose of the romance of the Western frontier, and a lot of commentary on social issues.  And lots of very, very funny scenes.

And you get all that with a wonderfully diverse cast!

The people on Serenity come together for many reasons - often escaping their past or on a quest for adventure or on the run from authorities.  Captain Malcolm Reynolds and his first mate Zoe are the two main characters.  Both of them fought against the Alliance in a war, and their friendship is one of the highlights of the series.  It's rare to see friendship between men and women on-screen, and this is an excellent example.  They trust each other implicitly, and there is never any sexual tension between the two of them, which I LOVE.

Firefly features four female characters, all of whom are capable of talking to each other about things other than men, and all of whom excel at their chosen vocations.  I'm thrilled that this show aired over 10 years ago and got all this right, and that it was such a cult hit.  (Sadly, not a ratings hit.)

My favorite character switches from one episode to another.  Zoe is often up there, but I also am a big fan of Jayne, who is basically the muscle of the operation.  He usually has the best lines, and while he isn't portrayed as being very bright, he has a wonderful character journey and some very raw moments.

I just wish there was more!!

There IS a comic book series, Leaves on the Wind, that takes place post Serenity (the movie sequel to the canceled TV series), and the compendium comes out next month, so I will ABSOLUTELY get my hands on that.

Between Aliette de Bodard, my current read, Howl, and this Firefly series, I'm totally hooked on science fiction!  I may have to return to Battlestar Galactica and finish off that series, too.  Any other recommendations for quality sci fi from all of you?

Sunday, September 28, 2014

A More Diverse Universe: The Wrap-Up

Ohmigoodness, ohmiGOODness!  Guys, A More Diverse Universe was amaze-balls.  I haven't even visited HALF of the posts yet because you all wrote SO MANY and I have been adding SO MANY  books to my wish list and so many authors to my watch list.  And that's just so far!  I bet some people scoot in after the fact as they finish up their reading and reviewing this weekend.

So, why was I so anal about the way I had you post your reviews?  So that I could quickly dump them in Excel and analyze, of course!

130 Reviews


73 Bloggers


(about) 120 different books

All in two weeks!  I can't even count all of the tweets and Tumblrs and Instagrams that everyone has been using, but the numbers are overwhelming.  It's incredible.  If I were in PR, I would also count "impressions" in the list above and that amount would be ginormous  because it would include ALL of your followers who saw your posts or your tweets or your Instagram feed and were influenced by them.  All of whom can go out and read more diversely now, too.  Because of you!

I wish I had the time to organize all the #Diversiverse reviews into a tab so that people looking for diverse reading selections in, say, non-fiction or fantasy could easily hop over to that tab and see a full list of reviews for themselves.  Sadly, I cannot accomplish this task now, but perhaps over the long, dreary months of winter, I shall do so!  And then we can just keep adding to that list EVERY YEAR so that people can have their minds blown by how many options there are out there for them to read and enjoy and expand their minds.

Thank you so much to everyone who participated in the event!  And to everyone who didn't participate but talked up the challenge and pushed other people to participate.  I truly believe that if you want change, you need to push for it, and I think this year, book blogosphere has told publishers, loud and clear, that #wewantdiversebooks!  Good for us.  The world will be a better place for us having made our desires clear.

Most of all, I hope that, for those of you who participated, this was not a one-off thing.  Yes to participate in the challenge, you only had to read one book by a person of color, but I hope that only inspires you to do even more going forward.

Friday, September 26, 2014

More #Diversiverse Review-itas: India and China

India Becoming Akash Kapur
India Becoming, by Akash Kapur.  An uneven book about the impact of modernization on India.  Kapur doesn't say anything that hasn't been said before.  For some, opening India economically has been a boon; for others, it has only made their lives even harder.  India is a land of haves and have-nots, and while many people are coming up in the world with the new economy (particularly those in real estate), it's coming at the expense of a rich culture and way of life that had many positives.
While the caste system is breaking down, life is still difficult for women who try to balance being independent with the oftentimes rampant sexism that exists in the workplace and their homes.  Life is also difficult for homosexuals, many of whom must hide their true selves from those they are closest to.

Kapur doesn't seem to know what to make of all this himself, and it shows in his narrative.  He talks to many people about what life is like in India now, but just as he thinks all is well, he will hear a story that makes him think everything is horrible.  And the cycle repeats.  Probably a good read if you don't know much about the polarity of life in India today, but if you have read modern Indian novels or newspaper/magazine editorials over the past several years, you won't encounter any new information here.

Balzac and the Little Chinese Seamstress by Dai Sije

Balzac and the Little Chinese Seamstress is a slim volume set in 1970s China.  Two teenage boys have been sent to a rural town to be re-educated as their fathers both ended up on the wrong side of the law.  There, they both fall in love with a beautiful young seamstress.  They also find illegal reading material by French authors like Dumas and Balzac.

The two boys are fantastic storytellers and they begin weaving stories of passion and love and revolution into the stories they share with the seamstress and the others in the village.  And, as stories are wont to do, they have great impact on the people who hear them.

Talk about diverse reading!  This book is by a Chinese author, written in French, translated into English, and then produced as an audiobook which I read.

This novel felt very episodic to me, and I don't know if it translated very well into audiobook.  In some ways (ok, mainly in that it was about two teenage boys and one girl and a totalitarian regime), it reminded me of David Benioff's City of Thieves, though I enjoyed Benioff's work more.  The humor here wasn't quite as well done, and while I think the setting was richly developed and easy to immerse myself in, the characters were not nearly as memorable.  I did love that the seamstress heard stories and wanted to expand her world, though, in a very independent and wonderful manner (hopefully that isn't too much of a spoiler).  Girl power! :-)


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